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2月5日 彭羚[BABY]前段时间唱K, 邂逅彭羚翻唱的LOVIN' U,是MINNIE的那首. 她的声音依然触动人,当然我不会期待她的复出,因为有些声音的确让她存在记忆里好点!
[BABY]这首歌是彭羚一首自己很喜欢的歌曲,很早期的时候她已经现露出她声音冷感的特质,每每听都会觉得身边温度骤降,视线中的人物情意通通变得清冽透彻. 干净是我们怀念她的原因...嗯, 实在难得! 近来给我相同感觉的, 还有王菀之. 2月2日 DILL[一杯静电Espresso]DILL【WYHIWYG】 bob.l
“距离产生美感”我想,传统意义上说应该是“距离越远越美”吧?!但听DILL的音乐,或者DILL所创作的这类型音乐 —— 极 微 电 声 【MINIMAL ELETRONIC】,你真恨不得把耳朵完完全全帖服在音箱上,用耳根(且莫论心灵)尽情享受电声爆破出来的声音块状,花尽心机追溯声音的流窜走向,眼球扩大试图饱览经取样的各类声音图片,神经也如信号调频般不停闪烁,人体肌肉同时扭动以配合电声的变形再生....这样下去再多的形容词也难以名状,毕竟DILL玩的是非逻辑所牵连的音乐常态,“峰回路转”绝对是DILL音乐最为引人入胜之处!
但
DILL所塑造的峰与路,都如寥寥几笔淡墨,而且颜色温和,错乱有方,适时更引入真乐器,如【TRACK10.Won Noefte Jam [3:55]】的爵士鼓击,古典结构的钢琴与大提琴【TRACK01.Crooked Pastor [2:02]、TRACK03. Rotude [5:50]】,仙音轻吟【TRACK05.Tena [1:20]、TRACK08.Lreil [3:48]】...处处皆是DILL音乐的感情注脚。
EMOTION是DILL极微音乐的标签!
【节点】
Artist: Dill Title: WYHIWYG cat#: Fly Rec 2004
擅于分解各类乐器的声音、人声,以及原野录音的Yuji Inoue,自1998年来便积极为视觉艺术家和当代舞团创作配乐(包括第三届世界水论坛的开场影像配乐)。在这首张个人专辑上,他更以绝妙的编排技术和实验创新的态度将处理过的声音转化提炼成极具深度的作品,既细腻又大胆、既性感享乐又清心寡欲,粗糙直接却独具美感。
DILL is Yuji Inoue's solo project. Inoue started to produce music from 1998. He toured with Bogdan Raczynski (Rephlex label) and CEX (Tigerbeat 6) in Japan, and released the card-shaped CD single "not concept01" on the Young-Z label which was predecessor to the ROMZ label. He produced tracks for 3D computer graphics artist Ayumi Sasaki's visual pieces in 2001. In 2002, he supported the Japan tour of GEL and DISCOM. He composed pieces for contemporary dance company "Study of Live work Baneto" and their project "How to enjoy him/herÅj", and did a realtime PA with the dance company for the Tokyo performance. He also composed a piece for the opening visuals of the 3rd World Water Forum.
最后说说:由摄影师Miho Kakuta拍摄的【WYHIWYG】封套是一桌子的饭菜,虽然感觉并未满意,但定神注视之间竟能萌生古怪意象:半人半机器生物体刚离台去泡杯静电Espresso了,当然故事是否属实并不紧要,我想那“生物”的生活虽孤僻却惬意的。
【转个颇有感觉的DILL乐评 】
on 29-Aug-2003
it is unsure, fragile music that uses elements of classical avant-garde as well broken glitch; seducing the listener with a rough grainy sensuality of cello contrasted by unexpected snaps of heavy beats; remnants of melodies, gentle vocals samples, fading pieces of pop music are kept together by empty spaces ringing with tension of a single note; there is an idm rhythmic irregularity with deep basslines, but none of the shortened attention span that usually comes with it - yuji inoue knows the refinement of minimalism. at times the music falls apart completely, breaks down in the controlled chaos of feedback and irregular beats, disappears allowing the night to take over. it might come back in a shape of a múm-like murky idm-meets-indie rock ballad that gradually dissolves into crackling silence.
for me wyhiwyg is about texture, but the one that gets so close that you do not notice it at times; it structures your perception, molds your mood, but lets you breathe and feel at the same time - its non-linear complexity only makes it richer, both emotionally and stylistically - an accomplishment almost impossible for many other musicians working in this genre.
volatile and intriguing, moving and unexpected; it is as if demented tigerbeat6 and romz kids suddenly grew up emotionally, acquired erudition and taste without losing their feel for intricate collages and cultural contrasts. dill leaves a lot unsaid; you are welcome to wander off, but its lingering presence will be felt for a long time.
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